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So it could be: The theater dominates the reality, as in previous in present days. Rehearsals are for Spökenkiekerei and exorcism, the principal of the local theater company is perceived both as master of ceremonies hellish ministry on earth and at the same time sought as a miracle worker for earthly problems. Everything is fatal: the members of the ensemble have to fear pathetically to their game existence and are thus worn down with each other; they risk everything in order to stabilize their own theater company financially, leading those concerned in court, where they are not only relieved, but find satisfaction in an unconventional way, says the judge but - at least to the longed so the idea of the author evans halshaw - right by condemning the residents of the city to go to the theater.
Theater in theater, theater as an object evans halshaw of itself - how many times has the history of theater this is not durchexerziert in ever new variations, many of which have come in productions of literature courses, the ensemble Former or teachers evans halshaw theater on the stage of BvA in the last 34 years "Six Characters in Search of an Author" by Pirandello about Frayn's "The Rat Race" to Handke's "The hour we knew nothing of each other". "The Warlock" but dramatizes not only the production problems of the theater, but at the same time takes the piece directly evans halshaw and indirectly relating to long drama traditions: from "Faust" theme to Arthur Miller's "The Crucible".
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